THE CREATIVE CITY: A CORRECTION

First new post from the new blog.

RICHARD J WILLIAMS

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Since posting, Paul Morley published this piece on the Salford and Media City, which is connected. Most accounts of Media City have been unfavourable – sometimes simple snobbery, sometimes a failure to understand the landscape and its history.This discussion is more nuanced, and well worth reading. http://www.ft.com/cms/s/2/f5cc1646-c90b-11e2-9d2a-00144feab7de.html#axzz2VEXeJU4s

We hear a lot about the creative city these days. For city managers in the industrialised world, creativity is the way to go, meaning a rebalancing of urban economies away from manufacturing, and even financial services, towards advertising, the arts, culture, web design and so on. The chief advocate of the creative city is Richard Florida, a most entrepreneurially-minded sociologist. Florida is everywhere, and his concepts have been accepted by city leaders the world over. Good for him. His work, however, is predictive and future-oriented; there remains a notable deficit in the literature of the creative city as built, the ‘real’ creative city.

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About Richard J Williams

Professor of contemporary visual cultures and head of history of art at the University of Edinburgh, UK. Books include 'The Anxious City' (Routledge, 2004), 'Brazil' (Reaktion 2009), 'Sex and Buildings' (Reaktion, 2013), 'Reyner Banham Revisited' (Reaktion, 2021) and 'The Culture Factory' (Lund Humphries, 2021).

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