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(selected urban themed essays–see also my personal page for other subjects)

Fraser, B. “Toward a Philosophy of the Urban: Henri Lefebvre’s Uncomfortable Application of Bergsonism.” Environment and Planning D: Society and Space 26.2 (2008): 338–58.

Fraser, B. “Madrid’s Retiro Park as Publicly–Private Space & the Spatial Problems of Spatial Theory.” Social and Cultural Geography 8.5 (2007): 673–700. (incl. photos).

Fraser, B. “Why the Spatial Epistemology of the Videogame Matters: Mētis, Video Game Space and Interdisciplinary Theory.” Journal of Gaming and Virtual Worlds 3.2 (2011): 93-106.

Fraser, B. “Re–Scaling Emotional Approaches to Music: Basque Band Lisabö & the Soundscapes of Urban Alienation.” Emotion, Space and Society 4 (2011): 8-16. DOI: 10.1016/j.emospa.2010.03.00.

Fraser, B. “The ‘Kind of Problem Cities Pose’: Jane Jacobs at the Intersection of Pedagogy, Philosophy and Urban Theory.” Teaching in Higher Education 14.3 (2009): 265–76.

Fraser, B. “Manuel Delgado’s Urban Anthropology: From Multidimensional Space to Interdisciplinary Spatial Theory.” Arizona Journal of Hispanic Cultural Studies 11 (2007): 57– 75.

Fraser, B. “Introducción crítica.” In La urbanización decimonónica de Madrid: textos de Mariano José de Larra y Ramón de Mesonero Romanos. Ed. B. Fraser. Doral, FL: Stockcero, 2011. 26 pp. (xiii-xxxix).

Fraser, B. “A Snapshot of Barcelona from Montjuïc: Juan Goytisolo’s Señas de identidad, Tourist Landscapes as Process and the Photographic Mechanism of Thought.” In Spain is (Still) Different: Tourism and Discourse in Spanish Identity. Ed. Eugenia Afinoguénova and Jaume Martí–Olivella. Lanham, MD: Rowman & Littlefield Inc., 2008. 151–84.

Fraser, B. and C. Méndez. “Espacio, tiempo y ciudad: La representación de Buenos Aires en El Eternauta.” Revista Iberoamericana 78.238-239 (Jan.-June 2012): 57-72. [Special issue on Latin American Science Fiction]

Fraser, B. “The ‘Sidewalk Ballet’ in the Work of Henri Lefebvre and Manuel Delgado Ruiz.” The Urban Wisdom of Jane Jacobs. Ed. S. Hirt and D. Zahm. London & New York: Routledge, 2012. 38-59.

Fraser, B. and S. Spalding. “The Speed of Signs: Train Graffiti, Cultural Production and the Mobility of the Urban in France and Spain.” Trains, Culture and Mobility: Riding the Rails. Lanham, MD: Lexington Books (Rowman & Littlefield), 2012. 27-57.

Fraser, B. “On Nocilla and the Urbanization of Consciousness: Multiplicity & Interdisciplinarity in Agustín Fernández Mallo’s Fragmented Trilogy.” Hispania 95.1 (2012): 1-13.

Fraser, B. “Ildefons Cerdà’s Scalpel: A Lefebvrian Perspective on Nineteenth–Century Urban Planning.” Catalan Review 25 (2011): forthcoming. [delayed publication]

Fraser, B. “Narrating the Organic City: A Lefebvrian Approach to City Planning, the Novel & Urban Theory in Spain” Journal of Narrative Theory 39.3 (2009): 369–90. [Special issue on ‘Narrating Cities’]

Fraser, B. “The Bergsonian Link Between Emotion, Music and Place: From the ‘Motion of Emotion’ to the Sonic Immediacy of the Basque Band Lisabö.” Journal of Spanish Cultural Studies 10.2 (2009): 241–62. [Special issue on ‘Spanish Popular Music Studies’]

Fraser, B. “Modernist Liquidity Meets Liquid Modernity: From the Occult Stories of Leopoldo Lugones to The Fluidity of Modern Urban Life” English Language Notes 47.2 (2009): 85–94. [Special issue on ‘Literature and Pseudoscience’]

Fraser, B. “Madrid, Neoplasmic City: Disease and the Urban as Process in Tiempo de silencio.” Letras Peninsulares 21.1 (2008): 139–64. [Monographic issue on ‘Urban Imaginaries’]

Fraser, B. “Reconciling Film Studies & Geography: Adolfo Bioy Casares’s La invención de Morel.” Mosaic: A Journal for the Interdisciplinary Study of Literature 41.1 (2008): 153–68.

Fraser, B. “The Space in Film and the Film in Space: Madrid’s Retiro Park and Carlos Saura’s Taxi.” Studies in Hispanic Cinemas 3.1 (2006): 15–33. (incl. photos).

Fraser, B. “On Mental and Cartographic Space: Belén Gopegui’s La escala de los mapas, Bergson and the Imagined Interval.” España Contemporánea 18.1 (2005): 7–32.