UCS 009 Klausen on Urban Geocaching in Copenhagen (8 June 2014)
Conversational interview inspired by scholar Maja Klausen’s article “Re-enchanting the city: Hybrid space, affect and playful performance in geocaching, a location-based mobile game,” published in the Journal of Urban Cultural Studies (1.2, 2014). Based on ethnographic research conducted with geocaching players in Copenhagen, Denmark, topics range from a basic introduction to the theoretical underpinnings of geocaching, from the notion of the “magic circle” of play and the reinterpretation of urban spaces as enacted by players in specific urban sites. [LINK TO ORIGINAL PUBLISHER]
UCS 008 Masterson-Algar on Ecuadorians in Madrid’s Retiro Park (8 October 2013)
Conversational interview inspired by scholar Araceli Masterson-Algar’s article “Juggling Aesthetics and Surveillance in Paradise: Ecuadorians in Madrid’s Retiro Park,” published in the International Journal of Iberian Studies (26.1-2, 2013). Mixing ethnography on the ground with Ecuadorian immigrants to Madrid with cultural analysis and discussion of urban planning, topics range from urban parks (the Retiro Park [the section known as La Chopera now home to the 11-M memorial and Forest of Memory], the Casa de Campo…) to Manuel Delgado’s urban anthropology and the dynamics of migration as tied to urban processes of tourism and capital accumulation. [LINK TO ORIGINAL PUBLISHER]
UCS 007 Jefferson on Walcott’s Poetics of Caribbean Colonial Modernity (Castries / Port of Spain) (15 September 2013) Conversational interview inspired by scholar Ben Jefferson’s article “New Jerusalems: Derek Walcott’s poetics of the Caribbean city,” published in the Journal of Urban Cultural Studies (1.2, 2014). Topics range from readings/analyses of specific excerpts of poems written by celebrated poet Walcott (Nobel Prize in Literature, 1992) to the ideas of Antonio Benítez-Rojo, Henri Lefebvre, V. S. Naipaul, North American and European city planning traditions and the relationship between rural and urban space specific to Caribbean modernity. [LINK TO ORIGINAL PUBLISHER]
Originally posted on RICHARD J WILLIAMS:
Something’s up with cities, as recent articles in The Economist and the FT attest. In the rich world, for decades we’ve held the notion of cities as basket cases to be endured rather than enjoyed. Few really believed in regeneration, if pushed: tidying up old docks and factories was, most of us believed, a cosmetic exercise. Our future was inexorably suburban. That set of beliefs held true until about a decade ago, underlined by relentlessly gloomy demographics, nlot just for celebrated basket cases like Detroit (61% population loss), but otherwise wealthy and successful places like London (-25% from its peak). We read Joel Garreau on the exurbs and imagined, mostly with trepidation, a Californian future. Cities were what the developing world did – they weren’t for us.
Well, all that seems to have changed. The last set of population statistics for the UK were remarkable for what they said about…
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This just in via Susan Larson via the NYT:
Marshall Berman, Philosopher Who Praised Marx and Modernism, Dies at 72
Published: September 15, 2013
Marshall Berman, an author, academic, philosopher and lyrical defender of modernism, Karl Marx and his native New York City, died on Wednesday in Manhattan. He was 72…
Barcelonan Okupas: Squatter Power! is the first book to combine close-readings of the representations of Spanish squatters known as okupas with the study of everyday life, built environment, and city planning in Barcelona. Stephen Vilaseca broadens the scope of Spanish cultural studies by integrating into it notions of embodied cognition and affect that respond to the city before and against the fixed relations of capitalism. Social transformation, as demonstrated by the okupas, is possible when city and art interrelate, not through capital or the urbanization of consciousness, but through bodily thought. The okupas reconfigure the way thoughts, words, images and bodily responses are linked by evoking and communicating the idea of free exchange and openness through art (poetry, music, performance art, the plastic arts, graffiti, urban art and cinema); and by acting out and rehearsing these ideas in the practice of squatting. The okupas challenge society to differentiate the images and representations instituted by state domination or capitalist exploitation from the subversive potential of imagination. The okupas unify theory and practice, word and body, in pursuit of a positive, social vision that might serve humanity and lead the way out of the current problems caused by capitalism.