Barcelonan Okupas: Squatter Power! is the first book to combine close-readings of the representations of Spanish squatters known as okupas with the study of everyday life, built environment, and city planning in Barcelona. Stephen Vilaseca broadens the scope of Spanish cultural studies by integrating into it notions of embodied cognition and affect that respond to the city before and against the fixed relations of capitalism. Social transformation, as demonstrated by the okupas, is possible when city and art interrelate, not through capital or the urbanization of consciousness, but through bodily thought. The okupas reconfigure the way thoughts, words, images and bodily responses are linked by evoking and communicating the idea of free exchange and openness through art (poetry, music, performance art, the plastic arts, graffiti, urban art and cinema); and by acting out and rehearsing these ideas in the practice of squatting. The okupas challenge society to differentiate the images and representations instituted by state domination or capitalist exploitation from the subversive potential of imagination. The okupas unify theory and practice, word and body, in pursuit of a positive, social vision that might serve humanity and lead the way out of the current problems caused by capitalism.
I stumbled across this project by a group of Amsterdam University-based students of new media who are putting together videos and Henri Lefebvre’s remarks on rhythmanalysis.
They write that:
“Our videos employ main themes of Lefebvre’s book such as rhythm and capitalism, critique of everyday life, rhythm, sound and the city, flows of capital and flows of crowds etc. The videos are not meant to illustrate the book but rather to engage into the theory of Lefebvre in depth through practice, through observation and art. Moreover, the blog contains several additional readings to the topic and other activist/artist projects based on the same themes.”
The site is here: