Antonio López García’s Everyday Urban Worlds (and prezi)

My new book Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is entering production with Bucknell University Press – it should be available in August 2014 (appearing on amazon at present for pre-order).

It represents rather a new form of writing for me – inspired by the meandering and philosophical style of Spanish author / civil engineer Juan Benet’s El ángel del señor abandona a Tobías (1976) where he mixes a range of disciplinary questions together, using the famed painting of the same name by Rembrandt as a point of departure.

Here I’ve devoted a chapter each to specific paintings (Gran Vía, Madrid desde Torres Blancas, and Madrid desde la torre de bomberos de Vallecas…), which I use as points of departure to fold Spanish literature, film and urban planning together with larger interdisciplinary and philosophical, geographical questions.

If you CLICK HERE you can see a ‘prezi’ that I’ve used with a lecture focusing on an excerpt of the second chapter’s Madrid desde Torres Blancas (visuals only).

UCS 007 Jefferson on Walcott’s Poetics of Caribbean Colonial Modernity (Castries / Port of Spain)

UCS 007 Jefferson on Walcott’s Poetics of Caribbean Colonial Modernity (Castries / Port of Spain) (15 September 2013)  Conversational interview inspired by scholar Ben Jefferson’s article “New Jerusalems: Derek Walcott’s poetics of the Caribbean city,” published in the Journal of Urban Cultural Studies (1.2, 2014). Topics range from readings/analyses of specific excerpts of poems written by celebrated poet Walcott (Nobel Prize in Literature, 1992) to the ideas of Antonio Benítez-Rojo, Henri Lefebvre, V. S. Naipaul, North American and European city planning traditions and the relationship between rural and urban space specific to Caribbean modernity. [LINK TO ORIGINAL PUBLISHER]

005 – Los Angeles and Hollywood – Kooistra reads the Urban Sexual Economy through Films Novels and the Courts – Urban Cultural Studies Podcasts

UCS 005 Kooistra on Prostitution in Hollywood/Los Angeles: Films, Novels and the Courts Kooistra (13 August 2013)  Conversational interview inspired by scholar AnneMarie Kooistra’s article “The Harlot City?: Prostitution in Hollywood, 1920-1940,” forthcoming in the Journal of Urban Cultural Studies (1.1, 2013). Drawing on the titular nickname introduced by Carey McWilliams in 1927, topics range from specific films, novels and the famed ‘Love-Mart’ case of alleged ‘Hollywood madam’ Olive Clark Day to the theories of geographers Mike Davis/Edward Soja and historian Sharon Ullman–in exploration of the city’s modern urban sexual economy.

Guest-edited special issue: Madrid and Urban Cultural Studies

1364971XThe guest-edited issue on the topic of “Madrid and urban cultural studies” has been published in the International Journal of Iberian Studies (26.1-2 [2013]: pp. 3-102). Click here for link to publisher’s page.

Editorial and four articles include: Continue reading

Toward an Urban Cultural Studies [video posted online]

For anyone interested in watching it here is a link to the lecture–or rather to the exercise in organized rambling–I gave at the University of Kentucky, now on UK vimeo:

“Toward an Urban Cultural Studies: Henri Lefebvre, Space and the Culture(s) of Cities”

To watch video, click above or go here: http://vimeo.com/50215247

Thanks again to the Department of Hispanic Studies there. The prezi itself can be seen in the background on the screen, but as announced before can also be viewed here. See also this previous post for more general information about the talk.

CFP-edited book on Marxism and Urban Culture

CFP-edited book on Marxism and Urban Culture

Submissions are invited for an edited book on Marxism and Urban Culture that has received initial interest from an international publisher known for their strength in Marxian-themed series and titles.

While all abstracts using a Marxian framework to approach culture in urban contexts are welcome, it is anticipated that submissions will conform to one of two subtypes reflecting the division of the book into Continue reading

La ciudad no es para mí [The City Isn’t for Me] (Spain 1965; dir. Pedro Lazaga)

Directed by Pedro Lazaga and released in 1965, La ciudad no es para mí is a light-hearted melodrama that, not unlike other films of the mid-dictatorship, continues an existing cinematic tradition of using ‘the generic confines of a popular comedy’ to explore more serious aspects of urban life in the Spanish capital (Larson 2012: 123). Heralded as the ‘most commercially successful Spanish film of the 1960s’ (Richardson 2002: 72), it features noted actor Paco Martínez Soria in the role of a rural-dwelling Spaniard who, unannounced, comes to live with his successful and modern son and the latter’s family in Madrid. The first five minutes of the black-and-white film – while they do not even introduce the central paleto character – thrust the spectator into quite a dynamic representation of the nature of urban life (see also Richardson 2002: 76-77). The two buildings clustered around Madrid’s Plaza de España that can be seen in the clip are the Torre de Madrid (when it was built the highest building in Europe?) and Edificio España.

The script reads Continue reading