UCS 004 Lamb on Parkour, Architecture and the Body (12 August 2013) Conversational interview inspired by scholar Matthew Lamb’s article “Misuse of The Monument: The Art of Parkour and the Discursive Limits of a Disciplinary Architecture,” forthcoming in the Journal of Urban Cultural Studies (1.1, 2013). Pitched at a theoretical level (complementing the specific place-bound analysis of Monument Circle in Indianapolis found in the article) discussion centers on the origins (and varieties) of parkour–an athletic engagement with the built environment (misuse through climbing, dropping, vaulting, jumping…)–and the conditioning of the body in place and as subject to architectural and urban forces.
Issue 1.1 currently in production:
UCS 002 Thornbury on Trains, Gender, and Fictional Characters in Tokyo (3 August 2013) Conversational interview inspired by scholar Barbara Thornbury‘s article “Tokyo, Gender, and Mobility: Tracking Fictional Characters on Real Monorails, Trains, Subways, and Trams,” forthcoming in the Journal of Urban Cultural Studies (1.1, 2013). Focusing on “My Slightly Crooked Brooch” by Noboru Tsujihara, other prose works and films discussed include Real World (Natsuo Kirino), The Thief (Fuminori Nakamura), “Newlywed” (Banana Yoshimoto), Train Man (Shosuke Murakami), and Café Lumière(Hsiao-Hsien Hou). [LINK TO ORIGINAL PUBLISHER]
The 2012 T2M Transportation and Mobility Conference was held in Madrid — since this was my first time attending I would have to say I would definitely go back. It was a very cozy and even intimate conference with a conversational feel, sessions were well attended and discussion was lively. Each year they take what I would call a ‘class photo’ above you can see the photo from this year. Usually there are optional excursions highlighting the theme of the conference — the one I went on was a tour of the ‘ghost station’ Chamberi in Madrid that is open to those interested, now as a museum of sorts–not to be confused with the Railway Museum / Museo del ferrocarril, which was the conference’s central location (Delicias). The session comprised by Susan Larson, Araceli Masterson and myself was framed as a way of blending trains/transportation with culture in general terms, and the discussion was quite interesting indeed, (thanks to those who made it so worthwhile!), and even though most of the other sessions were not as ‘cultural’ (in humanistic terms) there was a great talk on intermodality in Anglophone film as well as some fascinating airport talks (the phrase “airports are about cars” is now etched in my memory). Anyone who attended the excursion to the ghost museum should take a look at Araceli’s paper on that very museum, which can be found with some other excellent articles in this book (ch. 8) – Trains, Culture and Mobility: Riding the Rails (2012). See the full program below… Continue reading
This just in from Hiroki Shin on behalf of T2M:
The International Association for the History of Transport, Traffic and Mobility (T2M) is currently planning to incorporate in its website a list of course syllabi/syllabuses related to the history and general studies of mobility (in this round, English syllabi only). Our aim is to publicise the teaching of mobility studies, assist in improving the standard of such studies and facilitate its introduction to a wider range of academic institutions.
We would like to request you to kindly send us a copy of your mobility history/studies course syllabi, in the form of an email attachment (MS Word or PDF format) to Hiroki Shin (hiroki.shin[at]york[dot]ac[dot]uk), if you are currently giving such courses at an academic Continue reading
[reposted from artlog.com here]
Last week we asked you to submit questions for David van der Leer, the Guggenheim architecture and urban studies curator behind stillspotting nyc. The two-year project calls on architects, artists, and composers to create “stillspots” throughout the five boroughs, and this time around, legendary Estonian composer Arvo Pärt has collaborated with architecture firm Snøhetta, the designers of the museum pavilion at the World Trade Center site. The current edition of stillspotting nyc runs September 15–18 and 22-25.
How does a museum step out of its iconic building for experimental, off-site urban studies projects? Isn’t stillness the antithesis of the city? And why include an improv comedy group? Read Van der Leer’s response Continue reading