My new book Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is entering production with Bucknell University Press – it should be available in August 2014 (appearing on amazon at present for pre-order).
It represents rather a new form of writing for me – inspired by the meandering and philosophical style of Spanish author / civil engineer Juan Benet’s El ángel del señor abandona a Tobías (1976) where he mixes a range of disciplinary questions together, using the famed painting of the same name by Rembrandt as a point of departure.
Here I’ve devoted a chapter each to specific paintings (Gran Vía, Madrid desde Torres Blancas, and Madrid desde la torre de bomberos de Vallecas…), which I use as points of departure to fold Spanish literature, film and urban planning together with larger interdisciplinary and philosophical, geographical questions.
If you CLICK HERE you can see a ‘prezi’ that I’ve used with a lecture focusing on an excerpt of the second chapter’s Madrid desde Torres Blancas (visuals only).
Organizers: David B. Clarke, Marcus A. Doel, Richard G. Smith
This session focuses on the ‘co-production’ of filmic and urban space. That term, as it features in the conference theme, relates to knowledge – proposing that ‘new encounters are disrupting conceptions of where knowledge resides.’ Engaging Deleuze’s discussions of cinema, this session questions the framing of co-production in terms of dwelling. The reciprocal presupposition of cinema and city would seem, rather, to embody a sense of becoming. Thus, Deleuze’s conceptions of the cinemas of the movement-image and time-image recall Lewis Mumford’s claim that, ‘In the city, time becomes visible.’ How does cinema think the city, and vice-versa, to generate new, transformative senses of cinematicity? Contributions exploring the connections between cinematic and urban space are invited, potentially including work on early cinema and living pictures; considerations of specific cities, films or genres; conceptions of city and cinema as spiritual automata; and a multiplicity of other creative conceptualizations of cinematicity.
A rhythmanalytical study of music-making in Wellington and Copenhagen
Music-making in the city constitutes and is constituted by a plurality of urban rhythms including the movement between different locations as well as regular temporal patterns of events, activities, experiences and practices as well as energies, objects, flora and fauna which shape the music-maker’s mundane ‘pathways’ through the city. This project proposes a way of capturing, understanding and interpreting the multi-faceted rhythmical layout of urban spaces. It will do so by introducing a rhythmanalytical methodology, which draws on interviews, participant generated photographs and mental maps as analytical tools in order to provoke compelling depictions of musical activity in the city. Based on current ethnographic fieldwork in the urban spaces of Wellington (Aotearoa/New Zealand), and Copenhagen (Denmark) this project offers a fruitful technique of experience and experiment that seeks to recognise the interwovenness of socialities…
(Please see below a call for papers for the forthcoming Latin American Studies Association (LASA) Congress in Chicago, May 21-24, 2014)
Assembling the Contemporary Latin American City: South-South Circuits, Planning Exchanges, Policy Mobilities
In the wake of structural adjustment programs and region-wide reforms to democratize and decentralize central government authority, several Latin American cities became sites of increased experimentation and innovation in urban planning, urban development and public participation. Municipal authorities throughout the region reinvented land use, transportation, housing, and public space as planning tools to address a range of new and long-deferred infrastructural, social, and environmental issues. In this context, urban planning became a highly contentious and experimental arena where a range of actors –from public sector planners to NGOs to social movements to organized private actors- seized opportunities to push and legitimize new models of urban planning and development. Although North-South policy exchanges and circuits persisted, Latin Americans increasingly began to look at cities in the region as legitimate and alternative models beyond North-originated paradigms.
We think that the increased South-South urban exchanges in Latin America as well as the new ideological alignments and urban experiments in the region (Davis 2013, Goldfrank and Schrank 2009, Baiocchi 2005) offer a platform to explore and craft new concepts and approaches in Latin American urban studies and planning. In recent years, urban scholars in a variety of disciplines have highlighted the potential of Continue reading →
UCS 005 Kooistra on Prostitution in Hollywood/Los Angeles: Films, Novels and the Courts Kooistra (13 August 2013)
Conversational interview inspired by scholar AnneMarie Kooistra’s article “The Harlot City?: Prostitution in Hollywood, 1920-1940,” forthcoming in the Journal of Urban Cultural Studies (1.1, 2013). Drawing on the titular nickname introduced by Carey McWilliams in 1927, topics range from specific films, novels and the famed ‘Love-Mart’ case of alleged ‘Hollywood madam’ Olive Clark Day to the theories of geographers Mike Davis/Edward Soja and historian Sharon Ullman–in exploration of the city’s modern urban sexual economy.
My undergraduate students are busy making iMovie video final projects for a non-traditional literary survey class and I figured I might give it a try (theirs are much better I assure you). I’ve done this as a 10-15-minute video version of the argument I make in a recent article. Maybe it is more like a research article trailer… Anyone else out there making video articles? [It helps that youtube (at least for my account) allows video uploads of up to 15 minutes.]
The article is:
Fraser, B. “A Biutiful City: Alejandro González Iñárritu’s Filmic Critique of the ‘Barcelona model.’” Studies in Hispanic Cinemas 9.1 (2012): 19-34.