Digital | Visual | Cultural is a series of events happening over the next two years, curated by Professor Gillian Rose and Sterling McKinnon III, and funded by the School of Geography and the Environment and St John’s College, University of Oxford. The first event will be at 5.30pm on 28 June 2018. Prof Shannon Mattern, professor at the New School in New York and author of Code and Clay, Data and Dirt: Five Thousand Years of Urban Media, will deliver a public lecture followed by a reception. Find out more about the project, and book your tickets for the lecture, via the website dvcultural.org.
Cover Date: March 2018
Thanks to all who have helped the journal through our first four years – editorial team, editorial board members, our new assistant editor team, authors of all types (research articles, short-form articles, blog posts), the team at Intellect publishers, and especially our peer-reviewers and readers!
We’re thrilled to have published four special sections to date and more are on the way (already published:”Urban Soundscapes” in vol 2.1-2; “Cinematicity” in vol. 3.1; and both “Imagining Ground Zero” and also “Cities in the Luso-Hispanic World” in vol. 4.1-2).
Araceli, Stephen and I are pleased to be entering year five with the publication of issue 5.1 (going through production) – and therein you’ll find an editorial (“Urban Cultural Studies, Behind the Scenes: Notes on the Craft of Interdisciplinary Scholarship”) where we review the first years of the journal and emphasize the need to continue to forge places for both interdisciplinary scholarship and reflections on critical urban practice.
Here is a sneak peak of what we discuss in that editorial – regarding the percentage of published material that deals with certain forms of cultural content:
[forwarded from Isabelle Anguelovski, Director of the Barcelona Lab for Urban Environmental Justice and Sustainability]:
I wanted to share a recent web documentary coordinated by a colleague/friend filmmaker & sociologist, Alberto Bougleux, on Barcelona as a City of Migrants (La Ciudad Migrante). In addition to being an interactive visual platform of many (younger and older) migrant lives and a visual path through photographic installations in the city, it also contains an interactive map of solidarity resources in Barcelona. Have a look at it, it’s a really fascinating project: http://ciudadmigrante.org. The project was supported by the Ajuntament de Barcelona, the Museu d’Historià de la Immigració de Catalunya, and produced by the Mescladis foundation. I’m copying Alberto in this note in case you have any questions or comments!
As researchers, web and interactive documentaries are also a fantastic way to share one’s research (especially in Sociology and Geography) and make it closer to diverse public and audiences. It’s really creative and meaningful at the same time.
I hope you enjoy it and share it around you!
Isabelle Anguelovski, PhD
ICREA Research Professor
Director, Barcelona Lab for Urban Environmental Justice and Sustainability
Universitat Autònoma de Barcelona
ICTA – Institute for Environmental Science and Technology
IMIM – Medical Research Institute, Hospital del Mar
Cover Date: September 2017
By Michele Lancione here. She writes:
Amin and Thrift’s contribution is an important one because it pushes urban scholars out of their comfort zones, even more so than their 2002 Cities did. Seeing Like a City invites the reader to tackle fundamental urban questions—of epistemology, economy, and marginality—from a radically new perspective: one attentive to the (un)makings of infrastructural life and its immanent potential. The book is not easily digested nor comfortable, but that is a small price to pay for a contribution that offers a rare opportunity to reimagine what urban studies and politics can and should be.
Call for Papers: Edited Collection
Surveillance, Architecture and Control: Discourses on Spatial Culture
As our current political and cultural climate elucidates, the modern world has become increasingly fascinated by surveillance systems. Popular television series’ such as Westworld and The Handmaid’s Tale speak of our fears of being controlled by those watching us, whilst remastered movies such as