Departing from an interdisciplinary basis of the history and sociology of Spanish space and memory, Lorraine Ryan examines the narrative representation of the relationship between the preservation of a prohibited Republican memory of the Spanish Civil War and Franco Dictatorship, the transformations of Spanish public space, and the violation of domestic space during the period, 1931-2005 in seven texts of the Spanish memory boom. The interrelationship between Republican subalternity and space is redefined by the writers under study as tense and constantly in flux, undermined by its inexorable relationality, which leads to subjects endeavouring to instill into space their own values. The influence of gender, class, and generational status on the subjects’ experience of space is also examined. A secondary theme of this monograph is the motivation underlying this coterie of authors’ commitment to the issue of historical memory. My typology of non-participatory generations defines the principal characteristics of the three generations who have narrativised memory in the noughties. Contesting postmemory as the dominant explanatory framework, my analysis reveals a diverse spectrum of motivation, ranging from identity differentiation and the reclamation of a gendered historical memory to the counteraction of the increasing politicisation of the memory boom.
Table of Contents
• Cultural Memory in Contemporary Spain.
• Authorial Motivation
• Memory and Spatiality: Theoretical Framework.
• Memory and Spatiality in Spain: A History.
Chapter One: Degenerative Rurality, Fertility, and Post-Transitional Justice in Dulce Chacón´s Cielos de barro.
Chapter Two: The City and the Body in Ángeles López’s Martina, la rosa número trece.
Chapter Three: The Nullification of Domestic Space in Alberto Méndez’s ‘Los girasoles ciegos.’
Chapter Four: Spatial Assimilation and the Corruption of the Child in Emili Teixidor´s Pan Negro.
Chapter Five: A Resistant Barcelona: Postmemorial Work and Hidden Transcripts in Carlos Ruiz Zafón’s La Sombra del Viento.
Chapter Six: Rurality and the Second Space in Bernardo Atxaga´s El hijo del acordeonista.
Chapter Seven: Rememory, Hybridity, and In-Between Space in José María Merino’s La Sima.
Memory and Spatiality.