Niemeyer: the future is LUMPY

Short review of the evolving Caminho Niemeyer in Niteroi, Brazil. The key idea is the tension between the modernist form of the buildings, and the execution.

RICHARD J WILLIAMS

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I’m standing in the middle of the Caminho Nimeyer in Niteroí, just outside Rio de Janeiro. The Caminho is one of the architect’s last big projects, and remains unfinished. It’s a great concrete parade ground on the waterfront overlooking Rio, punctuated with (so far) three buildings that are unmistakably Niemeyer’s: a theatre with an undulating roof and angled walls; a small dome set at ground level, and a larger one with a serpentine ramp leading to an entrance above ground. All could have been built at any point since 1945. The theatre revisits the iconic chapel at Pampulha. The domes are Brasília. The ramps nod to the celebrated Museu de Arte Contemporânea a mile down the road. There are a couple of other less spectacular elements: a pretty gatehouse that could have been done by Richard Neutra in 30s Hollywood. And there’s a little information centre in black glass, a…

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About Richard J Williams

Professor of contemporary visual cultures. Writes about and teaches cities, takes pictures, and does many things at University of Edinburgh, UK. Books on cities include 'The Anxious City' (Routledge, 2004), 'Brazil' (Reaktion 2009), 'Regenerating Culture and Society' (edited with Jonathan Harris, LUP 2010), and 'Sex and Buildings' (Reaktion, 2013). In preparation is The Creative City (Reaktion 2016).

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