Backers as Co-Owners of Kickstarter and Verkami Projects

Dr. Stephen Luis Vilaseca

Since my article “The TriBall Case: ‘Okupación Creativa ¡Ya!’ vs.
Okupa Hacktivismo,” I keep returning to the notion of co-authorship of the city with city developers, co-authorship of software with software developers, and co-authorship of culture through the abolition of copyrights. Urban space and the body are connected by the practice of the city as open code, as co-author who can alter the city. Crowdfunding programs like Kickstarter and Verkami are also platforms through which to become co-owners of culture.

Jon Reiss, producer and director of Bomb It, a documentary about graffiti and public space, has just completed his highly-anticipated follow-up, Bomb It 2. In order to be able to widely distribute his second feature film on graffiti, he is currently conducting a Kickstarter campaign. The Bomb It team is fighting for the right to succeed at filmmaking outside of the studio system, and need help…

View original post 82 more words

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s