My new book Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is entering production with Bucknell University Press – it should be available in August 2014 (appearing on amazon at present for pre-order).
It represents rather a new form of writing for me – inspired by the meandering and philosophical style of Spanish author / civil engineer Juan Benet’s El ángel del señor abandona a Tobías (1976) where he mixes a range of disciplinary questions together, using the famed painting of the same name by Rembrandt as a point of departure.
Here I’ve devoted a chapter each to specific paintings (Gran Vía, Madrid desde Torres Blancas, and Madrid desde la torre de bomberos de Vallecas…), which I use as points of departure to fold Spanish literature, film and urban planning together with larger interdisciplinary and philosophical, geographical questions.
If you CLICK HERE you can see a ‘prezi’ that I’ve used with a lecture focusing on an excerpt of the second chapter’s Madrid desde Torres Blancas (visuals only).
Conversational interview inspired by scholar Araceli Masterson-Algar’s article “Juggling Aesthetics and Surveillance in Paradise: Ecuadorians in Madrid’s Retiro Park,” published in the International Journal of Iberian Studies (26.1-2, 2013). Mixing ethnography on the ground with Ecuadorian immigrants to Madrid with cultural analysis and discussion of urban planning, topics range from urban parks (the Retiro Park [the section known as La Chopera now home to the 11-M memorial and Forest of Memory], the Casa de Campo…) to Manuel Delgado’s urban anthropology and the dynamics of migration as tied to urban processes of tourism and capital accumulation. [LINK TO ORIGINAL PUBLISHER]
Barcelonan Okupas: Squatter Power! is the first book to combine close-readings of the representations of Spanish squatters known as okupas with the study of everyday life, built environment, and city planning in Barcelona. Stephen Vilaseca broadens the scope of Spanish cultural studies by integrating into it notions of embodied cognition and affect that respond to the city before and against the fixed relations of capitalism. Social transformation, as demonstrated by the okupas, is possible when city and art interrelate, not through capital or the urbanization of consciousness, but through bodily thought. The okupas reconfigure the way thoughts, words, images and bodily responses are linked by evoking and communicating the idea of free exchange and openness through art (poetry, music, performance art, the plastic arts, graffiti, urban art and cinema); and by acting out and rehearsing these ideas in the practice of squatting. The okupas challenge society to differentiate the images and representations instituted by state domination or capitalist exploitation from the subversive potential of imagination. The okupas unify theory and practice, word and body, in pursuit of a positive, social vision that might serve humanity and lead the way out of the current problems caused by capitalism.
Atlas Obscura has a fascinating look at the Torre de David in Caracas. This is a 45-story skyscraper that was originally intended to be finance industry office space, but construction was abandoned in 1994. Squatters moved in and today it’s the world’s tallest slum. Here’s the documentary:
Rest assured, a copy of that book is now making its way from Switzerland to the Southland. Shipping is free, so it only cost 45 euros (whatever the hell that is). If the current going price for City of Darkness on Amazon is any indication, maybe you should pick up a couple extra copies as an investment.
I bring up City of Darkness because the KowloonWalledCity came to mind as an obvious comparison, as another “vertical slum”. If you read City of Darkness, you’ll notice a striking similarity in the way that residents describe their community and the way that…
(Please see below a call for papers for the forthcoming Latin American Studies Association (LASA) Congress in Chicago, May 21-24, 2014)
Assembling the Contemporary Latin American City: South-South Circuits, Planning Exchanges, Policy Mobilities
In the wake of structural adjustment programs and region-wide reforms to democratize and decentralize central government authority, several Latin American cities became sites of increased experimentation and innovation in urban planning, urban development and public participation. Municipal authorities throughout the region reinvented land use, transportation, housing, and public space as planning tools to address a range of new and long-deferred infrastructural, social, and environmental issues. In this context, urban planning became a highly contentious and experimental arena where a range of actors –from public sector planners to NGOs to social movements to organized private actors- seized opportunities to push and legitimize new models of urban planning and development. Although North-South policy exchanges and circuits persisted, Latin Americans increasingly began to look at cities in the region as legitimate and alternative models beyond North-originated paradigms.
We think that the increased South-South urban exchanges in Latin America as well as the new ideological alignments and urban experiments in the region (Davis 2013, Goldfrank and Schrank 2009, Baiocchi 2005) offer a platform to explore and craft new concepts and approaches in Latin American urban studies and planning. In recent years, urban scholars in a variety of disciplines have highlighted the potential of Continue reading →
My undergraduate students are busy making iMovie video final projects for a non-traditional literary survey class and I figured I might give it a try (theirs are much better I assure you). I’ve done this as a 10-15-minute video version of the argument I make in a recent article. Maybe it is more like a research article trailer… Anyone else out there making video articles? [It helps that youtube (at least for my account) allows video uploads of up to 15 minutes.]
The article is:
Fraser, B. “A Biutiful City: Alejandro González Iñárritu’s Filmic Critique of the ‘Barcelona model.’” Studies in Hispanic Cinemas 9.1 (2012): 19-34.
Benidorm — a planned resort city on Spain’s coast between Alicante and Valencia — has long been a destination for tourists. I can’t say I’ve been there, but references to the city abound in Spain and in Spanish literature and culture since the 1970s. For example: the opening/intro sequence to each and every episode of the Spanish ‘social science fiction’ show Plutón BRB Nero, which aired in 2008 and 2009 and was directed by filmmaker Álex de la Iglesia, includes a gratuitous/humorous reference to Beniform (see here for an article on the series and on Spanish sci-fi in general) alongside such ‘world class cities’ as London and New York. I remember seeing a Spanish novel titled simply “Benidorm, Benidorm, Benidorm” and — as Álvaro Sevilla Buitrago recently pointed out to me — there is a British sitcom called Benidorm from 2007, which seems to be unavailable in the US but can be ordered on region 2 DVD from the UK. The list likely goes on and on…
The deal is:
that Spanish Sociologist Mario Gaviria — who helped to popularize Henri Lefebvre’s ideas in Spain and who edited/introduced a number of Lefebvre’s books in Spanish versions (The Right to the City, From the rural to the urban [collection]) during the 1970s — also helped to design the resort city that is regarded by many as a blight if not also a victory of consumer society over the landscape. [article here] While I have looked through Gaviria’s books at Spain’s Biblioteca Nacional in Madrid, they haven’t been republished and are unavailable if not also uncatalogued (I asked around at more than a few chain and independent / even architectural-urbanist bookstores). He did some great work on tourism and urbanism, anthropological work, ecological work, but it still seems strange to me that a supposed Lefebvrian had a role in designing Benidorm, much less in touting its advantages over the years…