Review – World Film Locations (books and [ipad] app)

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I finally had time to check out the World Film Locations publishing project I’ve been meaning to explore for a while, actually I started by downloading the ‘World Film Locations’ app for the ipad, which is free, and which allowed me free access to view the ‘World Film Locations: Madrid’ – the other titles are available for purchase. (disclosure: published by Intellect, who is the publisher for the Journal of Urban Cultural Studies: more on that soon).

It was a bit different than I anticipated – which I think is a good thing – that is, I thought these would be standard academic articles, but it is much more of a visual catalog of film scenes featuring specific parts of the city (there are WFLocations volumes for a number of other cities: Berlin, Vienna, Las Vegas, Reykjavik, Melbourne, Istanbul, New York, London, of course Paris…).

There are brief readable descriptions/introductions with specific titles that sound like traditional academic articles on film (‘Iván Zulueta: Films of Madrid’s Underground’ by Steven Marsh, ‘Embracing Normalcy: Madrid Gay Cinema at the Turn of the New Millennium’ by Helio San Miguel, ‘Beyond the Cliché: Madrid in Twenty-first Century American Thrillers’ by John D. Sanderson, ‘Bright Young Things: Neo-existentialism in Madrid Cinema of the 1990s’ by Rafael Gómez Alonso), which cite interviews with film directors (Carlos Saura) and get further into film traditions, actors, directors, culture (La Movida) – but, importantly, with English translations (by Marsh for one, who is a name Hispanists will recognize; the editor of the volume is Lorenzo J. Torres Hortelano (of the Universidad Rey Juan Carlos, Madrid), who has in addition assembled a team of former-student photographers to help complement the volume visually).

They concise vignettes are framed with a general map/plano of the city itself as an organizing principle showing where in the city each scene takes place, and still shots of the films under discussion. I have to say I was impressed with the range of films chosen and the depth of the discussion given the spatial limitations (the volume, in this case an e-book is a visually stunning 128 pages).

While reading through this one, it occurred to me that the book would serve as quite an advantageous model for teaching in particular, I might have (film-/Spanish-) students compose their own similar volume. Here is some praise from the series site:

Praise for World Film Locations: New York: ‘An elegant tribute to the films and locations that have given New York its private real estate in our minds. The contributors are so immediately readable and movie-savvy.’ – Roger Ebert

Praise for World Film Locations: Paris: ‘A superbly edited collection explores the most important movie city in the world’ – David Sterritt

Praise for World Film Locations: London: ‘A superb book, indispensable for any cinephile interested in London’s psychogeography. I could pore over it for hours.’ – Peter Bradshaw

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